Imran Qureshis The Seeming Endless Path of Memory opens at Galerie Thaddaeus Ropac Paris
artdaily_PARIS.- Galerie Thaddaeus Ropac presents The Seeming Endless Path of Memory, an exhibition of new work by rartist, Imran Qureshi. Born in […]
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San Jose Museum of Art opens the first major retrospective of artist Rina Banerjee
designboom_SAN JOSE, CA.- The San José Museum of Art, California is presenting its major spring exhibition, Rina Banerjee: Make Me a Summary
Leonardo Drews first solo exhibition with Galerie Lelong & Co. on view in New York
artdaily_NEW YORK, NY.- Galerie Lelong & Co. is presenting Brooklyn-based artist Leonardo Drew’s first solo exhibition with the gallery. For the past
$110.7 million Monet masterpiece makes auction history at Sotheby
artdaily_NEW YORK, NY.- Moments ago in a packed salesroom at Sotheby’s New York, Claude Monet’s Meules from 1890 — one of art history’s
NEW CALL LAUNCHED FOR THE BIENNALE COLLEGE CINEMA INTERNATIONAL
labiennale_ College – Cinema has now reached its 8th edition: a strategic programme for training new filmmakers from all around the
Romer Young Gallery opens its second solo exhibition with Montreal artist Jean-Francois Laud
SAN FRANCISCO, CA.- Romer Young Gallery announced its second solo exhibition with Montreal artist Jean-Francois Lauda. Lauda presents four large scale works
ithuania gets the coveted Golden Lion for best national pavilion in Venice
theartnewspaper- Lithuania has won the Golden Lion prize at the Venice Biennale for its indoor beach installation, Sun & Sea
Palazzo Franchetti presents three important series by Jean Dubuffet
artdaily_VENICE.- A strong relationship connects one of the most important French artists of the postwar period, Jean Dubuffet, to the city
Razors in the roses: Venice art Biennale gets political
artdaily_VENICE.- In the era of "fake news" and social media echo chambers, Venice's Biennale art fair is challenging preconceived biases by
Should I scream or call social services? Cathy Wilkes at Venice Biennale review
With Brillo pads, a dead dragonfly and a disembodied hand, Wilkes’s British pavilion biennale show aims for tender but veers